Kate Beckett (
fanofthegenre) wrote2013-05-02 10:02 am
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They settle into something actually resembling a routine, once they decide that this is becoming a thing. (She doesn't like the word "boyfriend". It sounds too juvenile, too trivial for what this really is - which is something that means a lot more to her than a name that smitten teenage girls use.) They don't broach the subject of her moving in, but she's starting to spend more time with him than she does at her own place now that Alexis has moved out for college and Martha has made herself scarce.
Most nights, when she stays up too late filing reports at the precinct, she finds herself taking a cab to him instead, curling up in bed beside him and knowing he'll be there when she wakes up. Sometimes it's a competition to see who makes it to the bed first - if he's in a fit of inspiration, she'll often fall asleep to the sound of laptop keys clicking from the other room.
He always wakes up first. It doesn't matter how much sleep she's had - without fail, he's up before she is unless there's a murder, and then they usually both wake up to the sound of her phone going off. But this is one of those weekend mornings where death seems to put itself on pause. After a particularly long and grueling day at work (stepping on a pressure plate connected to a bomb will wreak havoc on a girl), Beckett's just looking forward to spending a lazy morning in bed.
She rolls over, half-dazed and dozing, reaching out sleepily to him - but her eyes snap open when her fingertips are met with the cool face of the pillow instead, and she blinks blearily while the room swims into view, trying to listen for the sound of Castle nearby.
Most nights, when she stays up too late filing reports at the precinct, she finds herself taking a cab to him instead, curling up in bed beside him and knowing he'll be there when she wakes up. Sometimes it's a competition to see who makes it to the bed first - if he's in a fit of inspiration, she'll often fall asleep to the sound of laptop keys clicking from the other room.
He always wakes up first. It doesn't matter how much sleep she's had - without fail, he's up before she is unless there's a murder, and then they usually both wake up to the sound of her phone going off. But this is one of those weekend mornings where death seems to put itself on pause. After a particularly long and grueling day at work (stepping on a pressure plate connected to a bomb will wreak havoc on a girl), Beckett's just looking forward to spending a lazy morning in bed.
She rolls over, half-dazed and dozing, reaching out sleepily to him - but her eyes snap open when her fingertips are met with the cool face of the pillow instead, and she blinks blearily while the room swims into view, trying to listen for the sound of Castle nearby.
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He speaks while he brews: "Well, maybe you should be around more often. You know, to make sure I make the right kinds of decisions about food. Products. Stuff like that."
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"What, you mean like move in here?"
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"No. I mean, yes. I mean, I've been thinking about it. You know." Suddenly Castle seems overcome by a case of the sentence fragments. He bites down on his back molars and works to throw some conjunctions in there, looking at the front of the coffee maker like he could burn holes through it with his retinas. "I mean, in my head it makes sense. You already keep a toothbrush here and I'm technically closer to the precinct than your apartment."
Those are his arguments, as he sees them: cavity prevention, and a shorter commute.
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"True," she murmurs, as if it's not something she's given any amount of thought to - when in reality, she has thought about it, a fair amount. It's a classic interrogation technique, trying to draw the truth out by feigning a remote amount of ignorance. She should feel bad about using it on him, letting him do most of the talking.
And yet.
"No one at the precinct knows we're dating, though," she points out. "Isn't it going to look a little suspicious if we suddenly start carpooling?"
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"So why don't we tell them?"
The question just gallops out of his mouth, fully formed.
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"Well, for starters, what about the fact that the NYPD seriously comes down on interdepartmental relationships?" she points out, though the observation sounds half-hearted when it finally leaves her lips. "We work together, Castle. There's more at stake here than just - if Gates finds out, she could find a way to make sure you're not a part of the team anymore." That, she knows, would kill him as much as it would affect her, even if she doesn't say that out loud.