Kate Beckett (
fanofthegenre) wrote2010-01-29 11:59 pm
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[ a missing scene ]
Coonan dies on the floor of the precinct, his blood pooling out around him.
Beckett doesn't stay long after the body's taken away - just long enough to answer the necessary questions, fill in the details for the official report herself, give the information that proves a discharging of her weapon was necessary. She doesn't look at Castle for the rest of the night, and somewhere in the cluster of policemen and EMTs, he disappears, leaving the chaos behind him.
She heads back to her apartment - late, much later than she'd even anticipated, but she's far from tired and her hands are still stinging from the amount of time she'd spent rinsing them in the women's restroom hours before. She pours herself a drink and starts running the water in the bathtub, ready to soak and hopefully drink enough to pass out eventually.
Because otherwise, she's going to have an impossible time sleeping tonight.
Beckett doesn't stay long after the body's taken away - just long enough to answer the necessary questions, fill in the details for the official report herself, give the information that proves a discharging of her weapon was necessary. She doesn't look at Castle for the rest of the night, and somewhere in the cluster of policemen and EMTs, he disappears, leaving the chaos behind him.
She heads back to her apartment - late, much later than she'd even anticipated, but she's far from tired and her hands are still stinging from the amount of time she'd spent rinsing them in the women's restroom hours before. She pours herself a drink and starts running the water in the bathtub, ready to soak and hopefully drink enough to pass out eventually.
Because otherwise, she's going to have an impossible time sleeping tonight.
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"And who said anything about it being a T-bird?" Beckett adds, leaving him to ponder that particular thought over for a moment or two as she reaches for the bottle itself, her lips wrapping around the opening to take a swig, and then squints at the label with a soft exhale. When she sets it back down, she straightens up too quickly, the momentum dizzying, and stumbles back against him.
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"Whoa," he says with a laugh, catching her around the waist when she tilts off kilter; his arm loops her just long enough for her to get her balance back under control. Her brunette bob swings under his nose, trailing perfume. He tries not to think about it. "Well, you dance better than most epileptics," he admits, "so that's not bad."
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"Oh, I love this song," she excitedly explains, her arms winding above her head, wrists twisting and undulating like a pair of snakes in the air. Sexual innuendo notwithstanding, she mouths the lyrics, the slower movements of her arms and hips only increasing in pace once the song reaches the chorus.
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He ducks his chin out of the way of her fandancing hands, 'gives her hip a soft press with his fingertips. "I'm more of a Miles man, myself," he admits. "But this ain't bad."
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Once again, she goes for the bottle, ignoring her glass altogether, her body still moving in time to the drummer's steady tempo as she continues to dance with it in hand, the whiskey giving her confidence about singing in front of him an added boost: "And I think everything is going to be alright no matter what we do tonight," she croons, stepping in until one bare foot clumsily prods his shoe-covered one. She moves in and even dares to breathe, and there's an accompanying whisper of fabric as her tank top brushes his button-down in the time it takes her to blink up at him, slowly, her pupils dilating wildly.
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"I should probably go," he murmurs, the statement half lost in the wake of Tyler's reedy crooning.
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She blinks again, breaking the eye contact, and glances away, suddenly feeling very overheated.
"Yeah, sure, of course," she murmurs, setting the bottle down - slower, this time, before she moves to stop the song. A click, and silence picks up where harmonicas and suggestive lyrics started, and she lowers her hand to her side, fingers curling against the gray cotton at her hip.
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He starts to move toward the door, capturing the ends of his scarf and threading them through his collar. "Beckett," he says, but halfway through he loses what he was going to say. His pulse jumps in his ears.
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"Castle," she finally acknowledges, and turns on her heel in his direction. His scarf is twisted on one side; she reaches up and wills her hands to steady themselves to fix it, her knuckles grazing the line of his jaw.
"S'cold out there," she explains, concentrating her energy on the task in front of her. "Getting colder all the time."
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"This is New York," he replies. "You want heat, you go to Arizona. Of course, if you want scorpions hiding in your shoes, you also go to Arizona."
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"Castle, I - "
She stops, tries to start over, clears her throat and shifts her weight from one foot to the other, as if going over all possible outcomes in her head. When she speaks again, it comes out in barely a whisper.
"Thank you," she warmly manages, her hand clasping around the crook of his elbow, using that hold as a place from which to move forward and press her lips against his cheek. She lingers there, breathing him in, and squeezes her eyes shut before a tear can fall.
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He slides his elbow from her grip and wraps both arms around her, pulling her in for a tight hug. "I'm so sorry," he says.
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"I don't know what to think anymore," she confesses there, so quietly it's almost like she hasn't uttered the words at all. "It's like a nightmare I can't wake up from."
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"You showed more courage today than anybody I've ever seen," he tells her, passing his hand over her back. "I can't say that the nightmares will ever stop. Can't say anything, really. But I'm going to be there for you whenever you need me. I promise."
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"You're a better man than I gave you credit for at first," she admits, honesty spilling out like a bubbling fountain. "I never thought that you - "
She lifts her head from his shoulder to look up at him, the liner wetly smudged around her eyes and giving her a vaguely raccoonish appearance. She's absolutely positive he can feel the tremor course through her frame while she struggles to keep it out of her voice.
"I don't know how to thank you enough."
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The layers of the onion are going back up, one by one.
"I'm glad you came," she says, firm and confident.
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"I know you'd hate it if you thought I was checking up on you," he says. "Figured I'd have more luck if I brought some incentive along." He means the bottle of whiskey, of course, but somehow thinking that he could ply her with alcohol to get her to open up about what happened seems...what, manipulative? Dishonest? He hadn't meant to be. Hell, he likes to think that she knows him well enough by now to trust him not to play the authorial angle.
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She drops her hand once she realizes what she's doing, but the healthy flush in her cheeks remains. The buzz still hasn't worn off yet, and she clears her throat, fully prepared to redirect the conversation elsewhere when the next sentence just happens.
"I mean, it's not tequila, but then again, this isn't page 105, is it?"
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He manages a grin, quick and tight, his eyebrows rucking toward his hairline. "In the business, we call that 'poetic license'," he says, unable to resist the temptation to goad her on a little bit. "You did a lot of cool cop stuff in the book, too."
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"What, like fighting off the Russian in my apartment without a single stitch of clothing on? There's cool cop stuff, Castle, and then there's unnecessary gratuity." Her tongue feels thick in her mouth, weighted down by the whiskey, and she tries not to stumble on her words too noticeably.
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"Besides, I can't help it if you're..." he jumps his eyebrows toward his hairline "...sensational."
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"You talk that way to all your muses?"
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Wait -- is that what he's doing?
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It's sparring, the way they always do. The problem here and now is that her vision is reacting like one of those rearview mirrors: Castle is really a lot closer than he appears.
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